1/2/15

Defining beauty: the body in ancient Greek art



THE BRITISH MUSEUM

Sponsored by



Experience the brilliance and diversity of ancient Greek art in this major exhibition focusing on the human body.
For centuries the ancient Greeks experimented with ways of representing the human body, both as an object of beauty and a bearer of meaning.
The remarkable works of art in the exhibition range from abstract simplicity of prehistoric figurines to breathtaking realism in the age of Alexander the Great. These works continued to inspire artists for hundreds of years, giving form to thought and shaping our own perceptions of ourselves.
'The chief forms of beauty are order, symmetry and clear delineation’ – Aristotle
'In portraying ideal types of beauty... you bring together from many models the most beautiful features of each' – Socrates
Adults £16.50, Children free
Visiting
26 March – 5 July 2015
Opening times
Monday–Thursday 10.00–17.30
Friday 10.00–20.30
Saturday–Sunday 09.00–17.30
Last entry 90 minutes before closing.
Image captions:
Marble statue of a naked Aphrodite crouching at her bath, also known as Lely’s Venus. Roman copy of a Greek original, 2nd century AD. Lent by Her Majesty the Queen.
Marble statue of a discus-thrower (discobolus) by Myron. Roman copy of a bronze Greek original of the 5th century BC.

30/1/15

Amal Clooney Isn’t About Her Accomplishments

Time Magazine

Amal Clooney is at it again— doing something celebrities don’t usually do, and looking like a movie star while doing it.
This time, she’s arguing in the European Court of Human Rights against a Turkish politician who denied the existence of an Armenian genocide 100 years ago in which more than 1.5 million people were brutally murdered. That’s, like, sooo impressive… but who is she wearing?
When a reporter from The Telegraph asked her, she cheekily replied “Ede and Ravenscroft,” the legal robes maker that has been selling drab back judge costumes since 1689, the year Benjamin Franklin’s parents met.
Once she did that, the focus shifted from the history of the Armenian genocide to Amal’s sense of humor and fashion choices. The global reaction to her comments was proof that jig is up: it’s stop pretending you care about what Amal Clooney is doing, when you really just care about how she looks while doing it.

The public obsession with Amal Clooney has been outwardly focused on her professional accomplishments, and with good reason. She’s represented high-profile clients like Julian Assange and former Ukrainian Prime Minister Yulia Tymoshenko, fought for the Elgin Marbles to be returned to Greece, and worked to free three Al-Jazeera journalists imprisoned in Egypt. She’s done more in the last ten years than many lawyers do over their entire career.
It sounds great, and it is. But the gushing adoration in the media about her work is false appreciation that crumples under scrutiny. How many other human rights lawyers inspire anything close to Amal-mania? Look at Samira al-Nuaimy, the Iraqi human rights lawyer who was executed by ISIS last year. If the tabloid-buying American public so obsessed with human rights, why wasn’t she on the cover of InTouch?

Let’s face it: no matter how real Amal’s accomplishments are, the breathless celebration of her legal triumphs is just a thinly veiled infatuation with how she looks.
When placed in the glare of celebrity, Clooney’s binders of legal documents and folders of case material become accessories to her shiny hair and perfect manicure, instead of the other way around. What’s worse, there’s something grotesque about using serious work on behalf of genocide victims as a pretense for a fixation on her looks, her clothes, and her marriage to one of the world’s most eligible actors.
Amal’s beauty is the unspoken end of every sentence about her legal career, the sub-head to every headline about her human rights work. Even if the coverage is ostensibly focused on Turkish politics, or the Elgin marbles, or sexual violence in conflict zones, the substance get inevitably lost in the subliminal hum over what Amal’s wearing, how Amal’s hair looks, and the fact that Amal is married to George Clooney. It even happens when there’s nothing to report—the Armenian genocide case was overshadowed by Amal’s non-outfit (she was wearing essentially the same thing as all the other lawyers in the room).
It’s also a weird over-correction to the common sexist problem of focusing on women’s looks over their careers. Instead of focusing on the looks of an accomplished woman (like Kirsten Gillibrand), the media is loudly proclaiming how not-sexist they are by obsessively trumpeting Amal’s professional accomplishments, then mentioning her beauty as a super-conspicuous after-thought.
But discussing Amal Clooney’s human rights work in the same tone as Kim Kardashian’s workouts or Jennifer Lawrence’s pizza cravings isn’t just awkward— it’s bizarre. Imagine if other human rights activists were treated the same way. Next it’ll be “Watch Ban Ki-Moon Go to the Gym Without Makeup” or “Malala’s Celebrity Crush: REVEALED!”

Some celebrities use their existing fame to shine a light on problems in the world, like Amal’s husband’s best friend’s wife Angelina Jolie, who recently wrote an op-ed in the New York Times demanding improved conditions in Syrian refugee camps. But that’s a different story, because Jolie came to activism after she got famous. She’s getting her picture taken in refugee camps and giving impassioned speeches at the U.N. precisely to direct those who are interested in her hair and clothes towards something more important.
But Amal’s just doing her job. Her work isn’t celebrity activism or a publicity stunt. Yet when it’s put in the context of celebrity fodder, Amal Clooney’s work on behalf of marginalized people gets reduced to just another thing a woman does while being beautiful.
So stop gushing. Stop with the headlines that trumpet Amal as a goddess for doing her job. Stop with the shock and awe that someone so beautiful could be so smart as well. Just let Amal keep doing her thing.

29/12/14

Video: Sun Dog – A Skier and His Dog Share a Love of the Mountains

A Skier and His Dog Share a Love of the Mountains



Adventure Blog

Posted by Emily Nuchols on December 16, 2014 


 

It’s no secret: We love our dogs. And I would venture to say that people in the mountains really love their dogs. Sun Dog, the latest film from Sturgefilm and DPS Cinematic, captures this unique and joyful bond between skier Santiago Guzman and his dog Conga in the rugged and wild peaks overlooking Bariloche, Argentina.
We caught up with filmmaker Ben Sturgulewski to hear a little more about the story of Sun Dog.

Adventure: You didn’t have the best conditions when you got to Bariloche. How do you deal with tough and variable conditions when you’re on the line to make a film?
Ben Sturgulewski: When you’re dealing with tough conditions, it’s all about the story. You just have to approach it from a different angle, a unique aspect that you may not have thought of before. We decided to go to Refugio Frey because it’s such a beautiful and iconic place. Even with the conditions what they were, I knew we could go there and it would be a beautiful backdrop for whatever story we found there.

A: How did the story of Conga and Santiago come about? How did the story develop while you were out there?
BS: I had no idea what the story would be for this film before we got there. I’d just met Santi and Conga and I didn’t know either of them. Our first experience was when we went to the ski resort, and he just picked her up and sat on the lift. I immediately saw a really cool connection between them. The next day, we went to the hut and I got thrown into the backcountry with the two of them and a four-hour skin up to Frey through some seriously icy and rough conditions. Even before we got there, Conga was proving to be pretty badass, and I was immediately impressed. By the time we reached the hut, it was clear that I had found my story with these two. They shared a really cool, special bond.



Photograph by Ben Sturgulewski

A: What is it about mountain people and their dogs?
BS: Dogs just have this energy, and Conga’s energy was so infectious right from the beginning. So much stoke and happiness to be out there. When we got to the hut, conditions were bad. We had no snow and it was super windy, so we were bummed. But then we went outside with Conga, and she was just so stoked to be there that we caught on as well. It’s so simple, and it’s good to be reminded of that kind of pure and childlike enjoyment of the mountains.

A: You’ve been to Refugio Frey before and dealt with similar conditions. How was it going back this time?
BS: I actually shot another segment for a ski film up there. When I was working with Sweetgrass Productions, we spent a few days at Frey, shooting Solitaire. It was kind of funny. It was a similar kind of bad spring conditions, but we were able to create a really cool story then too. The first time we constructed the story around this cat named Chaz. This time it was a dog. Even though we were faced with super tough conditions, both times we found a really cool story around an animal.

A: At the end of the film, you dedicate it in memory of Chaz the cat. What happened to Chaz?
BS: Chaz was the cat we featured in Solitaire. They sort of have a rotating posse of cats at Frey. When we went back this time, Chaz wasn’t there anymore. He had disappeared into the hills. It’s kind of sad, so I decided to give him some love in this film.

A: You’ve got a pretty short timeframe to put together these films in one season. How is that working out?
BS: It’s been crazy, but totally rewarding. It usually takes weeks or even months to put together a ski segment, but we only had three days in bad conditions and somehow we were able to create a full segment that I think is more entertaining than your average ski porn. To top it off, I edited this piece in a week. So in less than two weeks… despite all craziness and short timeframe, I think it’s my favorite episode.

A: You spun off from your former company, Sweetgrass Productions, and started Sturgefilm this year. How’s that going for you?
BS: Honestly, it’s been awesome. Really frenetic and busy, but awesome. I can do exactly what I want to do right now, which is a blessing and a curse. I’m taking on almost everything that comes my way, and there’s a lot of pressure to get it all done, but at the same time I’m challenging myself and growing as a filmmaker. Being on my own allows me to be true to myself and my creative vision in a really undiluted and pure way. I love collaborating as well, and I’m constantly working and sharing with others, but I’m really digging going after my stories in the way I want to tell them right now.

Watch a Green Comet Streak Across the Sky for Christmas





Comet Lovejoy is brightening faster than expected, putting on a show you can see for yourself this holiday season.



This illustration shows comet Lovejoy's close encounter with the globular cluster M79 on the night of December 28, 2014.
Just in time for the holidays, the skies are serving up a special cosmic gift: a brightening comet that may not have been in our part of the solar system for nearly 12,000 years.
Discovered only this past August, comet Lovejoy (C/2014 Q2) is now quickly brightening to naked-eye visibility as it moves from the deep southern sky into prime viewing location for observers throughout the Northern Hemisphere. The comet is already putting on a Christmas show, glowing green thanks to molecules that glow when hit by the sun's solar wind.

This icy visitor to the inner solar system was first spotted by its namesake, Terry Lovejoy, an Australian astronomer using a common backyard telescope with only an eight-inch mirror. He spotted the comet while it was still a very faint 15th magnitude.

The comet wasn't predicted to become visible with the unaided eye until late January or February 2015. But comets can be unpredictable, with chaotic surface activity as they heat up and melt while nearing the sun during orbit. Since summer, the comet's brightness has shot up by hundreds of times.



This diagram shows the orbit and location of comet Lovejoy on Christmas week in relation to the orbits of Earth and its neighboring planets. Note that the comet is approaching the inner solar system nearly perpendicular to Earth's orbit; that's the reason the comet is appearing to switch from a Southern to Northern Hemisphere object in the sky over the next week or so.

In fact, some observers in the Southern Hemisphere are reporting that it has brightened to magnitude 6, meaning that it has technically reached naked-eye levels already. It's now an easy target to find with binoculars, showing up as a distinct hazy ball.

And if comet Lovejoy continues its current course of brightening, astronomers say it may even plateau at magnitude 4.1 in mid-January, which would make it just barely visible to the unaided eye viewing it from light-polluted city suburbs.



Time to break out those shiny new binoculars and telescopes and take a gander at comet Lovejoy hanging low in the late-night southeastern sky.

As of December 21, comet-watchers using large binoculars under dark skies were reporting on an online comet-observing forum seeing a hint of a very faint tail sweeping about 5 to 6 degrees back from the comet's coma, the hazy cloud around the main body—that's about equal to ten full moon disks side-by-side in the sky. To see comet Lovejoy's path in the sky, check out this nice printable finder chart.

To spot the tail yourself, you'll first want to try using averted vision, an observing technique using peripheral vision to bring out details in a faint object. But hopes are that the sky show will get easier to see throughout the holiday period into the New Year.




This sky chart shows comet Lovejoy parked next to the globular cluster M79 (also shown in telescope view) on the night of December 28, 2014.

See for Yourself
During Christmas week, the best way to glimpse the comet is using binoculars as it travels through the low southern constellation Columba, the Dove, about 30 degrees south of the constellation Orion.
Wait until late night, near or after local midnight, for the comet to rise in the southeastern sky and away from the hazy horizon. Helping your hunt around Christmas Day, it should be passing some 18 degrees to the lower right of the brightest star in the sky, Sirius. That separation in the sky is equal to the width of two fists side-by-side.
Also not to be missed, as comet Lovejoy continues to climb higher in the northern sky it will offer a pretty photo opportunity. On December 28 and 29 it will be posing with the stunning globular star cluster Messier 79 in the constellation Lepus, the Rabbit. Amazing to think that this city of stars lies approximately 40,000 light-years from Earth, compared with comet Lovejoy's 4.4 light-minutes distance.
Stay tuned for more updates in the New Year.
Happy hunting!


Andrew Fazekas
Published December 24, 2014